Cre8shaun’s Weblog

GETTING INTO THEIR MINDS

April 13, 2008 · Leave a Comment

GETTING INTO THEIR MINDS

As a communication designer, its one main important thing that I will have learn is how to get into the minds of the people I am designing for. If I cant do this, then my designs will fail, and all the efforts put into designing this great object or visual, will be put to waste, as the people that I intended the message or object for, will either be completely misunderstood, or will be completely useless to them.

Being able to get someone’s attention is one thing, but to communicate the physical message is the other problem. There must be a balance not to out weigh the other. You can scream at people with fluro, crazy shapes, that may be ignored due to the fact that the information is un-interpretable. You can also provide an important message through bland imagery, which no-one would even bother to look at – the other extreme.

 

I have found some interesting articles that describe why certain things get our attention, and what may ward us away, based from our instinctual thoughts and reactions.

 

The effects of observation

We know as the most basic feeling, that colours can effect the moods we are in. Colours can change the perception and size, scale of a room. Can change the idea of weight looking at an object. But colour is only one part, being mostly applied as a flat medium, like paint on walls, or the colour of a leaf. Shape is also a crucial aspect that can effect the way we look at thing.

From previous research, I looked at how looking at certain drawn shapes on a page can evoke specific feelings and thoughts. How looking at a Sharp object, we somehow will form in our head, to verbally describe the shape, would be using hard sounding words like “Shaki” or “TAZIP” (made up words for example). Where if we had a rounded shape – we could name it, just by looking at it, using soft sounding words like “mibble or dome”. The same works with actual physical objects.

Relating to lecture I had attended “the hunter gatherer brain” – (see lecture visualisations) talked about how the brain has a section called the “amygdala”, which is the “fear centre” for our brain, where it acts as a danger sensing guard, for the use of survival. The brain can make decisions at tremendous speed, whether something is good or bad, will it hurt us, will it eat us, or can we eat it, or can we mate with it. The Amygdala basically makes decisions before we do, forming a particular way of thinking to the object, obstacle, visual we have seen.

In Advertising, it is important to know how the target will think and react, as you don’t want your audience to react badly to something your going to be spending allot of money on.

 

 

An example of this is in this excerpt from an article

 

TO GET INSIDE THEIR MINDS, LEARN HOW THEIR MINDS WORK.

Bar, Moshe, Advertising Age; 11/26/2007, Vol. 78 Issue 47, p16-17, 2p

 

A few years ago, Taco Bell had billboards that depicted the arm of a man holding a taco. I didn’t mind Taco Bell as a fast-food option, but, oddly, I found this ad exceptionally aversive. I tried to figure out why.

One day I was driving and about to merge with traffic, just ahead of an approaching bus. Glancing very briefly to the left and then to the right, my impression was that the bus carried an ad depicting a cobra snake ready to bite. So I looked again and noticed it was the Taco Bell ad. My brain interpreted the configuration of the arm with the taco as a snake. Why?

It was a case of unconscious perception: Visual elements in the picture influenced my impression about it unconsciously, leaving me with a negative attitude toward the ad.

When we form our opinions, we do it extremely quickly, and once we have, it is very hard to change our impression, sometimes in the face of contradictory facts.

 

Here’s another example. By now we are all familiar with internet sites that force you to watch preroll spots. Most of us get somewhat annoyed by such pervasive advertising. Cognitive psychology experiments have shown that when people have to ignore a stimulus on the way to achieving another goal, not only do they get annoyed, they end up really disliking the distraction. And this disliking is very specific to that stimulus.

So, if I am interested in the latest Red Sox score, but am forced to watch a commercial for a new merlot first, chances are that I will develop an aversion to that very brand of merlot, which will create for the advertiser the opposite effect of what was intended. Or imagine a fashion retailer that would like to modify its conservative image. If we scientists have behavioral methods that we believe could modify the associations elicited in post-traumatic stress, changing associations in a retailer’s reputation should be a walk in the park in comparison, using exactly the same principles.

••••••••••••••••••••••••••• end excerpt ••••••••••••••••••••••••••

 

In short: My notes on it

• Ads and attraction depend on the human, natural responses (instinct)
eg: Looking at sharp edges make people “fearful” of the object, humans prefer “soft looking objects”

• The amygdala is apart of our brain that makes decisions very quickly, in fact, acts before we do.
Its acts out of survival, if something is good, or if something is bad.
Eg: Taco bill ad, hand being seen as a snakes head (unconsciously), from fast thinking.
From this, bad thoughts are created for the ad.

• Also, Quick reactions to things will also form bias in the brain. If we have to avoid something before looking at something we want to see, we will get annoyed quickly and instantly have bad feeling toward the ad that seen. (also possibly connected to the previous article – People with high stimulation levels – are constantly trying to find something else to stimulate them (stimulation seekers).

 

 

 

Categories: Sem 1 - Design Research Analysis
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Visual Attraction

April 13, 2008 · Leave a Comment

Visual Attraction / Stimulation Levels.

Elaborating more on the found article “The effect of an advertisement’s  colour on emotions evoked by an ad and attitude towards the ad” – looking more in-depth into the psychological understanding, it expresses facts of how different kinds of people react differently to varying forms of visual stimulus.

What I also had found interesting in this article is the effects of colours and peoples reaction to colours in common advertisements.

Colour influences many aspects of human perception. Colour effects our moods, scale and sizes of objects, even the tastes food. – Marie-Christine Lichtlé,IAE de Dijon – (Bevan & Dukes 1953), (Warden & Flynn 1926), (Tinker 1938) (Ough & Amerine 1970; Tom et al.1987).

Physiological reactions: various studies have suggested that ‘warm’colours (red, yellow, orange) are physiologically stimulating, in contrast to ‘cold’ ones such as blue and green – Marie-Christine

Using colours will provoke certain moods in us that either attract us towards an object or ward us off.

Allot of advertising uses arousal as a means to attract peoples attention by using certain colours. – warm colours are said to be more stimulating than cooler colours.

 

 

(OUT) there and (In) there.

In terms of those introverts and extroverts I had spoken about before, these reactions can be measured by something known as “the optimal stimulation level”. A person OSL has its contribution to what may be seen by a person.

Individuals with high OSLs seek stimulation (extroverts), while those with low OSLs avoid it – (introverts) – Marie-Christine.

But this may also change within the person as experience changes there views within each environment.

I have found more information related to this which backs up these theory’s.

“The central nervous systems of persons high in sensation-seeking are thought to be especially accessible to stimuli. When initially presented with a stimulus, such persons react strongly. However, habituation sets in quickly, and they look elsewhere for renewed arousal. The central nervous systems of persons low in sensation-seeking are thought to be less accessible to stimuli” –

Sensation-Seeking and Differentially Arousing Television Commercials. –

Journal of Social Psychology; Dec2000, Vol. 140 Issue 6, p710-720, 11p –

Leone, Christopher, D’Arienzo, Justin.

In other words – “sensation seeking” people are highly reactive to high arousal – stimuli / visuals, but these people also tend to have short attention spans. (younger people)

People with Low OSL, have no need to seek vivid imagery (older people).

 

(I hope to find some imagery to give you an example, and hopefully to give you a better idea…. of what the bloody hell I’m on about.)

Categories: Sem 1 - Design Research Analysis
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2nd Group – Research

April 13, 2008 · Leave a Comment

From the previous group work – i had been researching general information on language. Most of information that i had stubbled upon and found most interesting for myself was about sound symbolism and onomatopoeia. With the use of sound symbolism, we were also looking at what possible forms of language could be communicated and understood. The Sounds and tones of words in a way could be partially understood by others who wouldn’t understand a given spoken language, as you can normally tell when someone is speaking to you calmly or in anger. Even with onomatopoeia, the interpretation of sounds into words, when spoken in a different language, with the context of a visual or comic/illustrated word, some meaning can still remain intact when being translated into other languages.

Now i have branched off with my new group to explore the visual form of language. With my own personal research, I found interest in what forms of visuals that may be universal in the ways of emotions portrayed and messages intended.

My thought on this would be to look at “colour”. I thought that, colour is something used in every culture to give meaning to everyday things and life.

But then again, even colour has different meanings to different cultures.

Here are some examples from what I have researched on this topic so far.

 

Colour Response

Black

Black is the color of authority and power.

In the west, the colour represents death and mourning, where as in the eastern country’s, it is used as a colour for beginning, to dress boys for the signification of their maturing and manhood. White on the other hand, the meanings are swapped again between the two wide cultures.

Red

In China this colour is used in many cultural ceremonies that range from weddings to funerals. When red in Eastern culture is combined with white, it signifies joy.

Western culture uses it for events such as Christmas and Valentines day, perhaps conveying similar meanings of joy and happiness as the eastern cultures do.

Red is considered stimulating; it is the colour of joy and childhood, but also that of blood, war and fire.

Colour also fulfils a role in representing cosmic, ethical and religious symbols.

This is a table I found which holds more information about it.

 

 image referenced from: http://www.versacreative.com.au/vault/inside_design/colour_symbolism.htm

I have also found research on the effects of colour on people, and the emotional effects that is left with people once experienced.

Some preferences of colours are due to the upbringing of cultural learning, as well as sex and age. In the way of advertising, it is important to know what colours will attract your audience. A good example of this is from an article I found

 

 “The effect of an advertisement’s  colour on emotions evoked by an ad and attitude towards the ad” -Marie-Christine Lichtlé, IAE de Dijon (University of Burgundy) 

 

 Colour and Response

• Young people prefer warm / vibrant colours and visuals such as red, yellow or orange. (Guilford & Smith 1959),

• Older people prefer cool / calmer colours such as blue and green (Child et al. 1968; Benson et al. 2000).
Also included in this understanding of colours and preference comes personality traits.

For example.
• Its suggested that extroverts (are gregarious, assertive, and generally seek out excitement – wikipedia) prefer warm colours.
• On the contrary, Introverts (Introverts, in contrast, are more reserved, less outgoing, and less sociable – wikipedia) more attracted to cold colours.

(Marie-Christine Lichtlé,IAE de Dijon (University of Burgundy))

Categories: Sem 1 - Design Research Analysis